Von Moltke identifies as another trend the critical interrogation of Heimat and the Heimat film genre in films such as Stefan Rutzowitzky's *** Siebtelbauern(1998), where provincial spaces are shown as a "site of disruption." //Eigler, F& Kugele, J. eds. 'Heimat': At the Intersection of Memory and *****[M]. Walter de Gruyter, 2012:159.
YiQiao 2022-01-29
Von Moltke identifies as another trend the critical interrogation of Heimat and the Heimat film genre in films such as Stefan Rutzowitzky's *** Siebtelbauern(1998), where provincial spaces are shown as a "site of disruption." //Eigler, F& Kugele, J. eds. 'Heimat': At the Intersection of Memory and *****[M]. Walter de Gruyter, 2012:159.
萝卜白菜 2025-03-07
农场主和**,有点像我国的地主和佃户。底层人民无论在哪里都是受**的阶级,反抗起来也格外的艰难,流血牺牲更是在所难免。农场主把农场赠予他的7个**,带着恶作剧似的不安好心,结果总是让部分人学会思考,学会**,还是带来了改变和希望。而且当时工业正在快速发展,农民进城到工厂打工也是一条出路,农场注定要衰落,那段时间算是农场主最后的**
米昔玛 2012-01-13
阶级对立的根源~那只马戏团的大象好有爱
丁一 2021-12-28
年青人从魔山下,径直前往狗镇去~